After about a 30 year hiatus, I began playing the piano again back in January. My formal training (if I may use that expression) consisted of two evening adult education courses I took back in 1982. Through the years I continued to collect vintage sheet music even though my piano had become solely a piece of furniture rather than a musical instrument. I'm glad I continued with my collecting because by practicing every night for nearly a year now, I can actually play a number of these songs.
One song I recently tackled is Irving Berlin's "WHERE IS THE SONG OF SONGS FOR ME," that he wrote in 1928 for the film LADY OF THE PAVEMENTS, the last silent directed by D.W. Griffith. Youtube offers the film's star, Lupe Velez, singing it on a Victor 78. The song is pleasant enough but working it out on the piano, I became of its rich musicality. Berlin may have just tossed off this one but he apparently liked the melody well enough to recycle it with new lyrics for his 1962 show, MR. PRESIDENT.
Another charming theme song written for a late silent, TIDE OF EMPIRE, is "JOSEPHITA." This film is now available through the Warner Archive, which is how I discovered the song by Raymond Klages and Jesse Greer. Again, Youtube offers Leo Reisman's 78 although I feel the film's orchestrations are better. Unlike "Song of Songs," trying to find the sheet music for "Josephita" proved difficult. A copy was on ebay recently but I dropped out after the bidding reached $35. Good thing I did - about a week later I found a mint copy for $2.98.
My latest "discovery" is a lovely waltz written for Bebe Daniels in the film version of RIO RITA. The song, "YOU'RE ALWAYS IN MY ARMS (BUT ONLY IN MY DREAMS)," by Harry Tierney and Joseph McCarthy, is quite lilting and I first heard it on an old RCA Victor "Vintage Series" LP in the late 60s. As with the other songs, the beauty in the workmanship is really revealed when working it out on the piano.
The other night I got around to watching the notorious musical, GOLDEN DAWN. There have been plenty of posts elsewhere on Nitrateville discussing this bizarre work but I watch these dinosaurs for the songs and when the authors are Hammerstein and Harburg, who really cares about the story? Anyway, the film has one terrific song, "WE TWO," not to be confused with Romberg's "JUST WE TWO" from THE STUDENT PRINCE. I am currently searching for the sheet music that, at least, I've been able to determine was published in 1927 in conjunction with the stage version.
I'm sure I'm not the only pianist who has found some forgotten gems from the Golden Age of American Music. Can anybody recommend other songs they found?
One song I recently tackled is Irving Berlin's "WHERE IS THE SONG OF SONGS FOR ME," that he wrote in 1928 for the film LADY OF THE PAVEMENTS, the last silent directed by D.W. Griffith. Youtube offers the film's star, Lupe Velez, singing it on a Victor 78. The song is pleasant enough but working it out on the piano, I became of its rich musicality. Berlin may have just tossed off this one but he apparently liked the melody well enough to recycle it with new lyrics for his 1962 show, MR. PRESIDENT.
Another charming theme song written for a late silent, TIDE OF EMPIRE, is "JOSEPHITA." This film is now available through the Warner Archive, which is how I discovered the song by Raymond Klages and Jesse Greer. Again, Youtube offers Leo Reisman's 78 although I feel the film's orchestrations are better. Unlike "Song of Songs," trying to find the sheet music for "Josephita" proved difficult. A copy was on ebay recently but I dropped out after the bidding reached $35. Good thing I did - about a week later I found a mint copy for $2.98.
My latest "discovery" is a lovely waltz written for Bebe Daniels in the film version of RIO RITA. The song, "YOU'RE ALWAYS IN MY ARMS (BUT ONLY IN MY DREAMS)," by Harry Tierney and Joseph McCarthy, is quite lilting and I first heard it on an old RCA Victor "Vintage Series" LP in the late 60s. As with the other songs, the beauty in the workmanship is really revealed when working it out on the piano.
The other night I got around to watching the notorious musical, GOLDEN DAWN. There have been plenty of posts elsewhere on Nitrateville discussing this bizarre work but I watch these dinosaurs for the songs and when the authors are Hammerstein and Harburg, who really cares about the story? Anyway, the film has one terrific song, "WE TWO," not to be confused with Romberg's "JUST WE TWO" from THE STUDENT PRINCE. I am currently searching for the sheet music that, at least, I've been able to determine was published in 1927 in conjunction with the stage version.
I'm sure I'm not the only pianist who has found some forgotten gems from the Golden Age of American Music. Can anybody recommend other songs they found?
Official Biographer of Mr. Arliss
"I eat nothing I can pat." George Arliss
http://ArlissArchives.com
http://OldHollywoodinColor.com
"I eat nothing I can pat." George Arliss
http://ArlissArchives.com
http://OldHollywoodinColor.com

